SC Details+Materials
Scythe, by Taylor Graham
Scythe Remember the scythe that hangs rusting in my shed – the mowing tool I learned to dance with when I was much younger, before the harvesting of my years. Reaper, 1998, Painted cloth, metal no wood
Read MoreChine, by Taylor Graham
Chine Feel it in the bones discs fail joints not quite aligned trying for the vertical within softly eroding flesh. by Taylor Graham Chine, c. 2005, Mixed media
Read MoreGolden, by Taylor Graham
Golden A golden case, frame of gathers & folds & pleats & intricately artfully designed by an unseen mind; smooth surfaces polished mirror-bright by invisible hands to form this perfect golden resting place recessed within the artful box, for whom? so deep within, we can’t see the eyes. Is anyone in…
Read MoreMetalsom, by Steve Talbert
METALSOM It’s a brass torso Details riveted and Attached baffles Giving a burnt patina, Extruding, somewhat painful wire Around ribs’, ‘n exhibited inducement To reveal full customer list; Plus, source identities of all involved In unnamed substance distribution. After the chain sawing of neck and legs- Remains tossed over the freeway To horrified passing traffic;…
Read MoreSelf Portrait, by Steve Talbert
SELF PORTRAIT Self portrait of same…in The watercolor medium Which anyone who’s picked Up a brush knows to be difficult. Some well chiseled face of self with Upturned Nose…not the Mediterranean style Large, and bone protruding (like Mine) But a Celtic tribal feature. Possible; Boudicca herself Who nearly beat Rome But got…
Read MoreThe Assemblage, by J. Blossom
Window Dressing Think of it: A personal no-rules narrative. Ones’ private emoting and creative collecting. Tin to burlap, string to ash, straw in a window frame. Patinas with burnt rust, bonfire-orange sheet metaled. Co-existing on immolated wooden slats; seeds, beads, a cross. Prized now yet once they were the broken things. …
Read MoreBound, by Gemma Benton
Bound Past and Future Bound in a moment of Time and Ties as in what slips away and what binds us charred and woven carved into and out from marking change in scrawl and nails ritual scars Intended to liberate us drawing us into places finding ourselves hooked by Gemma Benton Hooked, 2003, Painted…
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